“…possessing both the Mozart sensibility
and the lithe bravura necessary for the
rapid-fire give and take….”
March 2010, Chicago Classical Review
“Music of the Baroque’s regular forays into the Classical era sometimes…”
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“…a wonderful blend and unity of choral sound...a wide palette of timbres and contrasting dynamics”
March 2010, Chicago Classical Review
“How wonderful for Music of the Baroque to live up to its name…” Read more
“....forceful dynamic contrast between the malign male voices and the women’s ethereal pleading….”
February 2010, Chicago Classical Review
“If the historical circumstances of the dying Mozart’s final work….” Read more
“Glover managed to infuse this music with freshness and exuberance...”
February 2010, Chicago Tribune
“Through the years, Mozart’s Requiem in D Minor has been…” Read more
“The opening Allegro was wonderfully balanced with stringwork that seemed
to dance….”
February 2010, Chicago Sun-Times
“Mozart’s gloriously cryptic Requiem in D Minor seems to thrive….” Read more
"... a virtual seminar in bringing out the witty curveballs and subversive humor."
December 2009, Chicago Classic Review
"Joseph Haydn remains the most infrequently performed of the great composers..." Read more
“…gripping works that boasted luxurious polyphony spun with creamy legato…"
December 2009, Chicago Tribune
“Our cravings for the tried-and-true guide our choices of holiday concerts…”
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“Nicholas Kraemer led a breezy and
often-hilarious night of wildly inventive period works."
November 2009, Chicago Sun-Times
“…the bustling Harris Theater as Music of the Baroque…” Read more
“Kraemer and his players truly pushed
the envelope in their program’s wildly dramatic depiction…”
November 2009, Chicago Classical Review
"Nicholas Kraemer…knew what he was up against….” Read more
“MOB’s chorus is one of Chicago’s
musical glories…."
October 2009, Opera News
"Handel's Acis and Galatea was the composer's most popular theatrical creation…" Read more
