Brian Giebler

Brian Giebler

Praised for his “lovely tone and deep expressivity” by the New York Times, GRAMMY® nominated American tenor Brian Giebler radiates “shine and clarity” (Opera News) in every phrase using “his high-placed tenor with great skill” (Opera Magazine). His debut solo album, a lad's love (Bridge Records, 2020), garnered high praise from significant industry publications and earned him his first GRAMMY® Award nomination for Best Classical Solo Vocal Album. 

His 2020-21 season includes performances at the Ravinia and Caramoor Festivals with Apollo’s Fire; debuts with the Charlotte (Handel Messiah), Memphis, Johnstown, and Champaign-Urbana Symphony Orchestras (Tippett A Child of our Time); Santa Fe Pro Musica (Haydn Creation); and the Washington Bach Consort. Select return engagements include Mark Morris Dance Group (Handel L’Allegro, il Penseroso) at the Brooklyn Academy of Music; and a staged version of Craig Hella Johnson’s Considering Matthew Shephard (starring Brian Giebler) with Music at Trinity Wall Street. 

“The sweetness of Giebler's impressive high tenor” and his "expressive and elegant phrasing" (Cleveland Classical) have been heard as Adam in REV 23 at the Prototype Festival; Apollo in Handel's Semele with The English Concert; the Cleveland, Naples, Grand Rapids, and Virginia Symphony Orchestras; Handel & Haydn Society; at Carnegie Hall with the Oratorio Society of New York; Arnalta in Monteverdi's L'incoronazione di Poppea with Boston Baroque; Iff the Water Genie in Wuorinen's Haroun and the Sea of Stories with Boston Modern Orchestra Project; and in Germany and on record with Boston Early Music Festival. www.briangiebler.com