Soprano Amanda Majeski’s recent and upcoming performances include her return to the Metropolitan Opera as Fiodiligi in Mozart’s Così fan tutte, Santa Fe Opera as the Composer in Richard Strauss’ Ariadne auf Naxos, and the Curtis Orchestra for Strauss’ Vier letzte Lieder. Her debuts include the Hong Kong Philharmonic as Gutrune in Richard Wagner’s Götterdämmerung, Eva in Die Meistersinger von Nürnberg at the National Centre for the Performing Arts in Beijing, China, and as Vitellia in La clemenza di Tito for the Paris Opera. The Mozart Requiem on September 15 and 16 marks her debut with Music of the Baroque.
Recent opera performances include the Countess in Le nozze di Figaro at Washington National Opera, Cleopatra in Handel’s Giulio Cesare at the Teatro Colón, and as the title role in Stanislaw Moniuszko’s Halka at the Bard Music Festival. Other appearances include the Countess in L_e nozze di Figaro_, Vitellia in La clemenza di Tito, Eva in Die Meistersinger von Nürnberg, and as Marta in The Passenger, all with Lyric Opera of Chicago; Marschallin in Der Rosenkavalier, the Goose-Girl in Humperdinck’s Königskinder, Vreli in Delius’s A Village, Romeo and Juliet, and the title role in Dvorák’s Rusalka with Oper Frankfurt; and with Semeroper Dresden, Glyndebourne Festival, Opernhaus Zürich, Teatro Real, Opera Philadelphia, Pittsburgh Opera, and Santa Fe Opera.
On the concert stage, Amanda Majeski has performed with the Los Angeles Philharmonic, the Sinfonieorchester Aachen, the Washington Concert Opera, the Richmond Symphony Orchestra, the Chicago Civic Orchestra, and the Quad City Symphony Orchestra. She made her New York City recital debut at Carnegie’s Weill Recital Hall under the auspices of the Marilyn Horne Foundation and returned for her solo recital debut at Carnegie Hall in 2014.