Mezzo-soprano Daniela Mack’s recent and upcoming performances include the title role of Elizabeth Cree at Opera Philadelphia, Bradamante in Alcina at Washington National Opera, Jacqueline Kennedy in JFK at Opéra de Montréal, her Seattle Opera debut as Beatrice in Beatrice and Benedict, Carmen with Opera Philadelphia, and the lead role in The Italian Girl in Algiers with Santa Fe Opera. The Mozart Requiem on September 15 and 16 marks her debut with Music of the Baroque.
She made her Royal Opera House, Metropolitan Opera, and Florida Grand Opera debuts in 2016-17. Other performances include the San Francisco Opera as Rosina in Il barbiere di Siviglia, the role of Jacqueline Kennedy in the world premiere of David T. Little and Royce Vavrek’s JFK at the Fort Worth Opera, the Arizona Opera in the title role of Carmen, the San Francisco Opera, Lyric Opera of Chicago, Madison Opera, English National Opera, Théâtre du Capitole in Toulouse, Los Angeles Opera, Verbier Festival, Opéra National de Bordeaux, and Opera Colorado.
Daniela Mack recently performed Beethoven’s Ninth Symphony with the New York Philharmonic and has previously appeared with the Orchestra de la Suisse Romande, Boston Symphony Orchestra, and Chicago Symphony Orchestra. She has performed with the Mitteldeutscher Rundfunk in Rossini’s Giovanna d’Arco, Vivaldi’s Judith triumphans with Boston Baroque, the Los Angeles Philharmonic in Manuel de Falla’s La vida breve and Beethoven’s Symphony No. 9, Washington Chorus in Beethoven’s Missa solemnis, Hong Kong Philharmonic in Ravel’s Shéhérazade, and with the Sydney Symphony in Canteloube’s Chants d’Auvergne and Falla’s Siete canciones populares españolas. She made her Cincinnati May Festival debut in Mozart’s Requiem under James Conlon and in an all-star gala at the Opera Theater of San Antonio.
Daniela Mack is an alumna of the Adler Fellowship Program at San Francisco Opera where she has appeared as Idamante in Idomeneo, Siebel in Faust, and Lucienne in Die tote Stadt for her house debut. She performed the title role of La Cenerentola as a member of the Merola Opera Program and made her West Coast recital debut as part of San Francisco Opera’s Schwabacher Debut Recital Series.