Soprano Véronique Filloux’s recent and upcoming engagements include the Apollo Chorus of Chicago as the soprano soloist in Carl Orff’s Carmina Burana, Central City Opera’s mainstage production of Die Zauberflöte—as well as participating as a Bonfils-Stanton Artist—and The Washington Ballet. She is currently a member of the Maryland Opera Studio, where she created the role of Lily in the world premiere of Martin Hennessy’s The Young King. Other performances with the studio include the roles of Servilia in Mozart's La clemenza di Tito, Soeur Constance in Poulenc's Dialogues des Carmélites, Norina in Don Pasquale, Mrs. Fiorentino in Street Scene, and Blonde in Die Entführung aus dem Serail. In the summer of 2017, she joined Opera NEO in San Diego, where she covered Despina in Così fan tutte and sang Isifile in Cavalli's Giasone alongside the Baroque ensemble led by Nicholas Kraemer. Recent appearances in concert include Poulenc's Gloria, Handel's Messiah, and several Bach cantatas, most notably BWV 51: Jauchzet Gott in allen Landen and BWV 172: Erschallet, ihr Lieder, erklinget, ihr Saiten. Pulpit & Playhouse— Bach, Handel, Purcell on May 12 and 13 marks her debut with Music of the Baroque.